APO EQUALIZER MICROPHONE PRESET HOW TO

Do this by adding a high-pass filter in your parametric EQ settings at a point somewhere between 30-50Hz. So unless you’re a basshead, try cutting your EQ curve at around 40Hz. Just like how there’s no point to having anything above 20kHz, it’s really hard to hear anything below a certain point as well, especially over speakers if you don’t have a fire sub-woofer and some bass traps. Keep plugging away and don’t be afraid to delete or revert changes you’ve made if they don’t improve your experience.

APO EQUALIZER MICROPHONE PRESET HOW TO

Trust your ear: sound is a very personal experience: things sound a bit different to each person, so everything from here on out, regarding how to EQ, is just a guideline to help find what works best for you. Most programs will allow you to enable and disable filters on the fly so you can hear the before and after.

Band pass: attenuates everything outside of a defined rangeĪdding filters to your parametric EQ program should be pretty straightforward, but many people are turned off by having to input lots of numbers or adjust multiple knobs.

High pass: attenuates everything below the defined frequency.

Low pass: attenuates everything above the defined frequency.

High shelf: Adjusts all frequencies above the defined frequency.

Low shelf: Adjusts all frequencies below the defined frequency.

Chances are good that you won’t need to tweak and adjust much once you’ve found your preferred settings.įilter type refers to the shape of the adjustment. Keeping things by small increments at first will help you get your feet wet when it comes to making more aggressive changes later. If it’s not too serious, then chances are you can account for that quirk when you EQ. Nothing is perfect, and you might find your headphones or speakers have a quirk of deficiency that doesn’t sound quite right to you.

The playback system also affects what an “optimal” adjustment is.

And we all know you’re the only person that truly matters, right? What sounds good for most people could sound even better to you, if you know what to do. This can also encompass loudness preferences. Everyone hears things a little differently, because of the physiology of the human ear.

Preferences determine if you want to EQ at all, and how you want to go about doing it.

There are two main reasons why you’d want to equalize your music, and they’re not mutually exclusive.

Apo equalizer microphone preset